Does Biopsy Mean No Puppy?
Chest down on a padded table, head cocked sideways, right breast hanging through a peekaboo hole, one arm hooked around my matted hair, other arm twisted pinky side out at my side, the nurse positions me from below as the clear plastic compression paddles squish my flesh into place.
“Are you comfortable?” she asks and swabs my breast with betadine.
I’m not comfortable. I’m contorted. I’m strapped to a surgical bed by my boob. I’m expected to be still while a long thick needle excavates questionable cells. I’m scared. But none of that is her fault so I nod, the stiff sheet scratching my cheek, a bit of drool trickling into my ear.
“First, I’m going to numb you,” she says, cocks the needle into the antiseptic air, dribbling a little fluid out the tip, and pierces my skin.
“Numb is good,” I tell both of us.
She scootches up a chair near my head and says, “Aren’t you a writer?”
I nod as Pete, another one of my husband’s radiology partners, approaches the table. “Are you ready?”
He isn’t a close friend like Henry who read the mammogram that landed me here, but when I first moved to Madison, I was in a book group with his second wife and we read a “literary erotic” novel called Eat Me and drank too much wine and shared too much, something involving sushi and fishnets and marzipan…was that the book or his wife?
“Ready,” I say, the worn pale blue patient gown barely veiling my rigid body, and I remember that the last time I saw him was at the annual Holiday party, and I was dancing to “Love Shack” in a black dress and stilettos.
“What’s your book about?” the nurse asks, patting my arm as if I’m three and I’m grateful and worried I’ve engendered such tenderness.
“A woman who finds a lump in her breast,” I say above the whir of the machine, feel pressure but no pain, try to not to think about the needle, try to picture my children romping on a beach, a peaceful image I’ve used in yoga class to pull me out of my ruminating head. I see the tide rolling in and in and in and think Shiva, the Hindu God of regeneration, the mantra that means one thing must die for another thing to be born…
“Does this make my boobs look too big?” my middle daughter Maddy said, three shirts and two bras into her evening fashion show the night before. I was lying on her bed, thinking about how distorted the ceiling looked through her satin canopy, all translucent cracks and amorphous shards.
“Try the green shirt with the other bra,” I said. Maddy and I often had these boob conversations because she was built like me, small but busty and she knew that I knew how hard it was to find the right clothes: too fitted and you looked like a sex pot, too baggy and you looked matronly. We had hard figures to dress, hard figures to rationalize.
“I can hear you,” my older less busty daughter Anna shouted from her room.
“Your breasts look great in everything,” I said to Maddy, the word “breasts” clinging to the back of my throat. The only time I’d felt entirely comfortable with my breasts was when I was nursing. Otherwise, I’d always had a love/hate relationship with them. The first time Jake Jabowitz felt me up in eighth grade, I thought I loved him, until I found out he told all the other boys I had great tits. But on my daughters, I saw them differently. Perfect sculptures, round and soft and firm and healthy. My stomach flipped.
“That is such a bitch thing for you to say,” Anna said to me as she stormed into the room.
I gasped. Willing myself not to say anything I would regret. My husband and I had decided we’d tell the girls about the procedure later that night, together, and downplay it, and not tell our nine-year-old son Alex at all. No need to burden them.
“Do you have any idea what a pain in the ass these things are?” Maddy said. “Mom knows.”
My face grew too hot as I told myself, Be mature and restrained. “That wasn’t meant as a slight to you,” I sat up and said as slowly as possible. “You look great in everything, too. You both do. You’re young and beautiful, you have your whole lives in front of you for chrissakes what the hell are you complaining about? And don’t swear at me,” I screamed, tears blurring everything.
“What? What’s wrong with you?” Anna said.
“Nothing. Nothing. Noth…” My throat catching in the middle of the third nothing. “I’m having a b..b…b,” I said, the consonant stuck on my lips.
“A baby?” Anna said.
“A biopsy.” The word coming out too loud, too aggressively, making it sound more ominous than I wanted it to.
“Another one?” Maddy said.
“What does biopsy mean?” My son poked his head in from the hallway.
Shit, why did he have to hear that? “It means…” I hadn’t meant to have this conversation. How had it happened? And what did it mean? “It means…” He’d go to a friend’s house after school tomorrow and I’d watch Oprah to recover and we’d order in pizza for dinner and if all went well, that would be it, everything back to normal, and if not, my defective breasts might be the most memorable legacy I would leave my children.
“Does it mean no puppy?” he said, so gently, he must have known I needed help articulating and I wondered, what kind of mother would allow this, any of this to happen?
Another whir of the machine reminds me of the table, of me on the table, of life cycles spinning in opposite directions simultaneously. My childrens’ coming-of-age, my aging. I glance at the needle penetrating my yellowed boob and hope biopsy doesn’t mean I’ll be a burden before they have blossomed.
“Clamp,” the nurse warns as Pete shoots a metal staple into my breast.
I shudder, at the noise, the clutch of internal force, the fact that I know it’s marked so the surgeon can find the spot if it’s cancerous. “That’s two,” I say. “I hope I don’t set off any metal detectors.”
“You’re a good sport,” Pete says and unleashes me from the paddles.
No, I’m not. Not a good sport, not mature enough to handle this. I want out before the stakes get any higher. I want to turn back the clock. I want to reread Eat Me. I want to dance to “Love Shack” in a too tight dress. I want to call Jake Jabowitz and ask him if he still thinks I have great tits.
“So, what happens to the woman in the novel?” the nurse interrupts my thoughts, dressing my chest in loose layers of sterile gauze.
“She’s she’s, she’s….” I want to say fine, but I’d left her fate ambiguous, thinking that was the more interesting choice. And now I wonder why I hadn’t worked that out because I want to know what happens to the woman, as I tie the frayed blue gown around me, slide off the biopsy table, the paper slippers landing on the cold linoleum with a jarring thud.
13 replies on “Does Biopsy Mean No Puppy?”
What a fine piece of writing! You move skillfully between your past and present life and the lives of your children and present riveting scenes that are clear, poignant, painful and humorous. We all benefit as women and writers from your willingness to share so much of yourself so beautifully.
This writing is stunning! I thought I’d just glance at it and come back when I have more time, after I unload groceries and make some necessary phone calls, but I couldn’t stop reading, didn’t even think to stop reading, and when I got the end, I didn’t want the story to be over. Gail, your writing is really wonderful, very compelling and engaging (and I dont’ take to just anything). This is going to be a book, right? Wow. Just wow wow wow. So emotionally powerful, so grounded in description that you forget–I forget–that you’re telling a scary true story. It’s so good I want to swear, am swearing here in my living room where the cats don’t seem to mind. Holy cow, girl!
It’s heart-wrenching to read your story in serialized form, because it means not knowing right away what the outcome is for you and your family. But not knowing, and waiting, and hoping, and, in my own case, calling on God while continuing not to know, and to wait, and to hope, has been a cycle I’ve had to try to accept. I was so touched at Alex’s comment. I trust, for all your sakes, he’s wrong. Thanks for telling your story–which is, in part, all our stories–so honestly and well.
Powerful stuff. People who have been through it will recognize themselves in the feelings portrayed. People who haven’t will have a better understanding.
I love the way you conveyed the complexity of our relationship with our breasts, beginning in adolescence. We love them, hate them, flaunt them, fear them, and are absolutely terrified they will betray us. Somehow you captured it all. Great piece.
Another great column. Thank you! I applaud your honesty.
Gail, once again you’ve held me utterly rapt. The story is magnetic enough, but when it’s combined with this beautiful writing, it turns it into something truly profoud. Great job!
It isn’t easy to make something new of a subject that affects so many women, but this essay does so through its directness, rich language, and sophisticated structure. The shifting of scenes from the hospital bed to the daughter’s bed is masterful and poignant. The description of the flawed ceiling through the satin canopy. The adolescent banter running into the canned small talk of the operating room. The small, calm moments of life crashing into the big, tumultuous ones. There is no attempt to sentimentalize here, no dramatizing for the sheer sake of drama or gilding the horror with touchy-feely platitudes. And through it all, the force of the narrative voice conveys the very question that this essay seems to tackle, namely how life can be so forceful and fragile at the same time?
Gail, Thank you for sharing another chapter of your story. Your writing is so powerful and yet between the tears I am giggling. I have read the piece several times and have gained new insights each time. The lives we lead as mothers, wives and women are all so intertwined and sometimes so painfully conflicting. As mothers we quickly mature and hope to guide our children, however we struggle with feeling that our own youth is slipping away. I was very moved by your son’s focus on the immediate consequence – a refreshing reminder that children are so lucky to be carefree. I look forward to reading your next column.
Wow!! Another great column. I want to read more now!
This is extraordinary, Gail. So touching, funny,
heart-rendering, suspenseful. Moves back and forth betweenpast and present beautifully. It is real literature that makes you want more and feel disappointed when the page stops. It is very raw but sensitive. More! More! More!I want to read more. You are better than Didion and Lessing. I love it. Send me more. I can’t open your book on your website. The boob delimma is raunchy and wonderful and true. I have always had a love-hate affair with my breasts, especially when they first came and now, now it’s major hatred and discomfort. Most women my age say the same thing. You are a great writer and thinker. Say more! YOU ARE BRILLIANT.
SAY MORE!!! I’m not only proud of you. I’m amazed and somewhat flabberghasted. LOVE, your Mother. Maybe this is why Susie feels mad at you-I don’t think she understands your authenticity and uncanny ability to express it. SAY MORE. Go even deeper. This is very deep stuff and unusuaL.
Gail, I read 18 pages of “Waitress” (I did not get the odd numbers though), and I LOVE IT! It makes me lonely for you and that bright, enchanting child you were, and now you are a gifted writer which I would have told you much sooner but you did not send me your writing(s). I want to read both whole novels. I love your writing. It’s so real and moving and it moves so fast. Mom
Gail- For me, the thing most startling and authentic about your writing is its intimacy. I can’t even post a comment without feeling shy! Your essay is incredibly poignant without being maudlin. The balance is remarkable. I can’t write more because I am starting to well up again. Your mom is right. Katie